Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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LUINI, Bernardino
La Anunciacion del nacimiento de Maria

ID: 41943

LUINI, Bernardino La Anunciacion del nacimiento de Maria
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LUINI, Bernardino La Anunciacion del nacimiento de Maria


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LUINI, Bernardino

Italian High Renaissance Painter, ca.1480-1532 Italian painter and draughtsman. He was one of the generation of Lombard painters active around 1500 who, influenced by Leonardo and Raphael, blended High Renaissance innovations with indigenous Milanese elements to create a Lombard Renaissance style. Luini's paintings were extremely popular with both collectors and critics from c. 1790 to the end of the 19th century. This widespread popularity, however, had unfortunate consequences: many of his frescoes were detached from their original settings, many of the panel paintings were transferred to canvas and other works were heavily restored. As a result few survive in a good state. About 700 works are attributed to Luini, but many of these attributions are over optimistic.   Related Paintings of LUINI, Bernardino :. | Holy Family with the Infant St John af | St.Catherine | La Anunciacion del nacimiento de Maria | Herodias ih | St Catherine Carried to her Tomb by Angels asg |
Related Artists:
Julia Beck
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Alajos Gyorgyi Giergl
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John William Waterhouse
English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.






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